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It was past said that this
superior Edison Opera, introduced in November 1911, possibly gave the
best sound of any contemporary instrument, cylinder or disc. The horn-reproducer
assembly remained immobile and the cylinder moved under the stylus,
producing very little mechanical noise, which must have been very pleasing
for the ear.
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With the reproducer remaining
stationary, it was suspended over the record by its own output tube,
held in the neck of the horn support by a knurled screw. By pressing
only one lever, the motor started and the needle descended. The phonograph
stopped automatically at the end of the record.
The Opera plays only 4 minute records, and is most commonly equipped with a Diamond "A" reproducer, which was intended for the Edison Blue Amberol (celluloid) cylinder records. Operas were also issued with a Model "L" reproducer. |
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When the Edison Opera phonograph
was first introduced in 1911, it played only 4-minute wax cylinders
with a sapphire needle, and by 1912 a new improved diamond stylus allowed
it to play the Blue Amberol celluloid cylinders.
It employed a beautiful wooden horn which was based on the successful Edison Cygnet horns, which had been introduced a little earlier. The self-supporting wooden horns were Music Master Horns. The horn-stem supplied with these machines was angled to make the horn sit squatly and cannot be used on other Edison phonographs fitted for Cygnet type horns. |
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The Opera was available
in oak and mahogany (shown), although cabinet style differed a bit between
the two types of wood. Pillars in each corner made this a unique Edison
design. The cover rested on the case, but could not be
fastened for carrying by the top handle. A hole in the cover, allowed the horn to be mounted with the cover in position. More "fun-facts":
Last year of production, 1913 References: "Phonographs and Gramophones", by Marco Contini |
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