![]() |
Records
Hot cd's |
The Autophone Phonograph A very rare 12 cylinder phonograph owned by Jean-Paul Agnard of Canada
|
| |
|
|
|
|
|
|
| a |
|
This 1913 Autophone is a 'rare' beauty, with its awesome
upright cabinet! This is not a coin-op machine but a salon one. Imagine
today, listening to 12 four-minute cylinders playing without interruption
in one hour (12 x 4M = 48 + 12 times to go back). Also, any number
of cylinders could be played by simply pushing back the starting rod
(behind the crank), at the end of any record. |
|
|
|
|
|
One photo here, shows a close-up of the automatic return mechanism with the feed screw in the middle with two different groovings: a fine one that goes from back to front to play the records and a coarse one from front to back to bring back the reproducer while the cylinder is changed underneath. The Autophones used zinc die-castings, to varying degrees depending on when they were made, which cause problems today. The Autophone uses the same slightly modified, (larger) Edison Triton motor, as well as the playing and return mechanisms developed for the 4-minute style Multiphone. |
|
The History of the Autophone is long and complicated.
The company was dogged by financial problems, and changes occurred
in the organization. Whether the firm had the same or simular
backers as the Multiphone is not known. Although connected with
the Multiphone, it may be an entirely different company. The
Multiphone (Agnard's machine) was invented by Julius Roever
who designed several different Autophones. All of the early
patents for coin-operated phonographs are listed in "The
Patent History of the Phonograph". and it explains
the greatest number of cylinders played by any one instrument
is 25!
|
|
|
![]() |
The Autophone of 1913 was a simplified home-entertainment version of the Multiphone coin-operated cylinder apparatus.The Multiphone Operating Co was in business into the 1920s (in NYC) it's President then was Julius Roever. Using the same type of carousel, for logistical purposes, it was reduced in size to hold 12 4-minute records. Rather than directing the sound upward, as in the Multiphone, the Autophone channeled the sound out through the lower part of the cabinet. Were extended exerpts from the classics ever issued on Blue Amberol cylinders, the Autophone would have been the perfect avenue for enjoying them. Unfortunately, Edison failed to aspire to more than independently sustained performances, and the complicated Autophone never rose above the level of an expensive novelty. 'To quote Discovering Antique Phonographs by Fabrizio and Paul,'....' "AHH,, don't 'we' all "wish", we had one of these novelties,,, today!" |